Ilusão Gótica emerges from the synthesized reveries of Francisco Lima, José Miguel Silva and Raul Mendiratta during the pandemic isolation. They wander between experimental, synthwave, minimal and psychedelic sounds, always preparing performances that are unique to the specific space and event in question.

Miana brings her conservatory foundations to the PC to create simple yet compelling compositions. In her EP Miana Barroco Midi, contrapuntal traces can be found within electronic instrumentals which, in the singles released on SoundCloud, are layered with modern vocals immersed in reverb and autotune.

clarisse.e.os.desviados bring us “non-punk punk,” a kind of love story where no one is who they claim to be, yet everyone feels rock in its many shapes and forms, with kraut repetition serving as the finest engagement ring binding the three of them on stage. Not that they are hyper-logical in the arrangement of labels and things in general: after all, they put kraut in holes where post-punk should be covering; they burst into laughter in situations where they should be serious and, at times, clench a fist when the moment might call for a handshake.