José Venditti is a sound and visual artist from Extremadura, based in Madrid.
Interested in understanding the social constructions of music and confronting them: the sonic struggle between what is known and comprehensible and what may be unknown and abstract, as well as the tensions that arise from that confrontation. Taking sound as the primary material of creation, his work takes shape through various artistic practices such as live performance, musical/sound composition, sound actions, and live cinema.
His approach pays special attention to the origin and processing of the sound sources he uses, questioning the dichotomies between organic and mechanical, analog and digital, natural and artificial, and real and fiction.
This new project, conceived as the prequel to Espectro Dorado, proposes a live A/V performance that delves into the rawness of sound and the physicality of image through an essential, material-sensory approach. The saxophone, processed through analog devices, generates a dense sonic mass without defined rhythmic structures, brushing against the spectral and the formless.
Sound and visual resonances intertwine in real time, creating an immersive and organic experience. The images, generated live by Marta Verde, emerge from the visual manipulation of physical elements, amplified and distorted to build abstract landscapes in constant mutation. A visual work that starts from the material, but expands into the symbolic.
Interested in understanding the social constructions of music and confronting them: the sonic struggle between what is known and comprehensible and what may be unknown and abstract, as well as the tensions that arise from that confrontation. Taking sound as the primary material of creation, his work takes shape through various artistic practices such as live performance, musical/sound composition, sound actions, and live cinema.
His approach pays special attention to the origin and processing of the sound sources he uses, questioning the dichotomies between organic and mechanical, analog and digital, natural and artificial, and real and fiction.
This new project, conceived as the prequel to Espectro Dorado, proposes a live A/V performance that delves into the rawness of sound and the physicality of image through an essential, material-sensory approach. The saxophone, processed through analog devices, generates a dense sonic mass without defined rhythmic structures, brushing against the spectral and the formless.
Sound and visual resonances intertwine in real time, creating an immersive and organic experience. The images, generated live by Marta Verde, emerge from the visual manipulation of physical elements, amplified and distorted to build abstract landscapes in constant mutation. A visual work that starts from the material, but expands into the symbolic.
JOSÉ VENDITTI
José Venditti is a sound and visual artist from Extremadura, based in Madrid.
Interested in understanding the social constructions of music and confronting them: the sonic struggle between what is known and comprehensible and what may be unknown and abstract, as well as the tensions that arise from that confrontation. Taking sound as the primary material of creation, his work takes shape through various artistic practices such as live performance, musical/sound composition, sound actions, and live cinema.
His approach pays special attention to the origin and processing of the sound sources he uses, questioning the dichotomies between organic and mechanical, analog and digital, natural and artificial, and real and fiction.
This new project, conceived as the prequel to Espectro Dorado, proposes a live A/V performance that delves into the rawness of sound and the physicality of image through an essential, material-sensory approach. The saxophone, processed through analog devices, generates a dense sonic mass without defined rhythmic structures, brushing against the spectral and the formless.
Sound and visual resonances intertwine in real time, creating an immersive and organic experience. The images, generated live by Marta Verde, emerge from the visual manipulation of physical elements, amplified and distorted to build abstract landscapes in constant mutation. A visual work that starts from the material, but expands into the symbolic.
Interested in understanding the social constructions of music and confronting them: the sonic struggle between what is known and comprehensible and what may be unknown and abstract, as well as the tensions that arise from that confrontation. Taking sound as the primary material of creation, his work takes shape through various artistic practices such as live performance, musical/sound composition, sound actions, and live cinema.
His approach pays special attention to the origin and processing of the sound sources he uses, questioning the dichotomies between organic and mechanical, analog and digital, natural and artificial, and real and fiction.
This new project, conceived as the prequel to Espectro Dorado, proposes a live A/V performance that delves into the rawness of sound and the physicality of image through an essential, material-sensory approach. The saxophone, processed through analog devices, generates a dense sonic mass without defined rhythmic structures, brushing against the spectral and the formless.
Sound and visual resonances intertwine in real time, creating an immersive and organic experience. The images, generated live by Marta Verde, emerge from the visual manipulation of physical elements, amplified and distorted to build abstract landscapes in constant mutation. A visual work that starts from the material, but expands into the symbolic.
today
conversation
Café Filosófico // Coletivo Tagarela
tomorrow
concerts
Colinas + The Youths
sun.03.05
concerts
Misturadora 1.0