In his solo projects, José Venditti redefines the saxophone as an organic and physical extension of the body, blending the human with the electronic through extended techniques, circular breathing, and real-time processing. His approach moves between ambient, drone, and free jazz, exploring a sonic territory where control and free improvisation converge, allowing sound to follow its own logic.
In pieces such as “Donde termina el cuerpo,” the instrument becomes a “breathing machine” that dissolves the boundaries between the natural and the mechanical, inviting the audience to integrate into a shared vibratory and spiritual flow through active listening.
In pieces such as “Donde termina el cuerpo,” the instrument becomes a “breathing machine” that dissolves the boundaries between the natural and the mechanical, inviting the audience to integrate into a shared vibratory and spiritual flow through active listening.
JOSÉ VENDITTI
In his solo projects, José Venditti redefines the saxophone as an organic and physical extension of the body, blending the human with the electronic through extended techniques, circular breathing, and real-time processing. His approach moves between ambient, drone, and free jazz, exploring a sonic territory where control and free improvisation converge, allowing sound to follow its own logic.
In pieces such as “Donde termina el cuerpo,” the instrument becomes a “breathing machine” that dissolves the boundaries between the natural and the mechanical, inviting the audience to integrate into a shared vibratory and spiritual flow through active listening.
In pieces such as “Donde termina el cuerpo,” the instrument becomes a “breathing machine” that dissolves the boundaries between the natural and the mechanical, inviting the audience to integrate into a shared vibratory and spiritual flow through active listening.
wed.17.06
circus
Turno da Noite - Uatumã Fattori // TRENGO
thu.18.06
concert
YHWH NAILGUN
fri.19.06
listening party
40 Years of Arthur Russell’s “World of Echo”