Concepción Huerta is a multidisciplinary artist with a solid background in audiovisual media and a deep interest in the sonic spectrum. Her work unfolds across different fields, such as sound design, video installations, spatialized concerts, speculative narratives, and immersive experiences. Her approach to sound begins with a reflection on the relationship between silence and noise, political space, and the sonic agent as a means of expression. She also investigates resonance, acoustic space, and the physical and psychological impact of sound in relation to the listener.

Her sonic exploration is carried out through recordings of everyday objects (foleys) and instruments such as synthesizers, which, when played and manipulated with recorders and processed tapes, create atmospheres based on environmental and noisy elements. She creates sound narratives that, rather than fitting into a specific musical genre, move closer to the construction of an imaginary story. She incorporates the study of synthesis, electricity, voltage, formats, and materiality as part of her approach to sound. She explores it from its most elemental level and how it can be translated, creating technological bridges between analog and digital processes.

A member of the experimental collective Amor Muere, alongside Gibrana Cervantes, Camille Mandoki, and Mabe Fratti, with whom she has collaborated on several releases. She collaborates in the sonic field with various artists such as: Fernado Vigueras, CNDSD, Reick Reed, Tommi Keränen, Aime Theriot, Leslie García, Daniela Huerta, Hara Alonso, among others.